![]() For the shapes that will be filled black, use the Pen tool (P) to create the shape. With the Paintbrush tool (B) or Pen tool (P) start tracing your sketch making sure you are in the “Outline”layer and you are thinking about the tips in the step above. ![]() Depending on the path, you might need to switch the direction so the thick or thin part of the stroke is on the desired side of the path. This works great for the first brush we created. ![]() In the Stroke Options dialog, you can check the Flip Along or Flip Across check-box until you reach the desired direction. To change the direction of the brush stroke, select your stroke and press the Brush Options button at the bottom of the Brushes panel. I use the first brush when I want a stroke thicker at one end compared to the other. Use the different brushes we created to add line variance in the trace. If the brush you apply is too thick, you can adjust the Stroke Weight form the Stroke panel. To get around this I use two different paths each with minimal anchor points. As you can see in the example below, Illustrator tends to add weird remnants in angled paths. When creating stroked paths with the custom brushes I try to stay away from creating paths with angle less then 90 degrees. If you are going to use the Pen tool (P), simply selected your created path and select the desired brush from the Brushes panel. This creates a smooth line with using the Paintbrush tool (B). When the Paintbrush Tool Options dialog opens, change the Fidelity to 10. To do this, double-click on the Paintbrush tool (B) from the Tools panel. If you are going to use the Paintbrush tool (B), it is a good idea to set some of the Paintbrush tool’s (B) options. ![]() I prefer to use the Paintbrush tool (B) because it is quick and your selected custom brush is automatically applied to the path. You can use the Pen tool (P) or Paintbrush tool (B) to create the paths that you will apply the custom brushes to. Now that we have our two custom brushes, we can start tracing the sketch, But before we start, there are some tips you should be aware of. Like in the previous step, create a new Art Brush and set the Colorization Method to Tints. With the Art Brush Options dialog open, keep the default options except change the Method to Tints from the Colorization Method drop-down menu.įor the second custom brush, create a very narrow ellipse and fill it with black. Next, take off any stroke and fill it with black.ĭrag the new ellipse shape into the Brushes panel and choose New Art Brush from the New Brush dialog. With the Direct Selection tool (A) grab the left anchor point and drag it to left, doubling its width. For the first one, use the Ellipse tool (L) and create a oblong ellipse. Press the Create New Layer button from the Layers panel and rename it “Outline”.įor the outline of the creature we are going to create two custom Art Brushes. Next, press the Lock icon for the “Template” layer from the Layers panel. From the Layers panel, rename the current layer by double-clicking on layer and typing “Template”. In Illustrator, create a new document, go File > Place, find your image, and place it on your document. Once created, scan in the image and save it on your computer. Topics Covered: Custom Brushes, Paintbrush Tool, Live Paint Bucket toolĮstimated Completion Time: 1-1.5 hours Step 1Ĭreate a sketch with traditional media or in a design application like Photoshop. Even if your not a huge fan of the cuteness, you can use these techniques for other illustrations, logos, and vector elements.īelow is the final image we will be working towards. In this tutorial I will show you how to turn your doodles and sketches into vectors! This tutorial uses custom brushes, the Paintbrush tool, Pen tool, and the Live Paint Bucket tool.
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